That translated into watch-terminology means the movement includes a flyback chronograph, an yearly calendar, a power-reserve signal (for exactly what the brand notes anything between 45 and 55 hours, likely based on to how long the chronograph is in operation), in addition to a day-night signal. Its foundation movement includes 302 components, while the smart (and only 2.48 mm thick) yearly calendar module adds another 154 components to that. And while we often discuss perpetual calendars–calendars which require absolutely no alterations until the year 2100–yearly calendars mean a smart transition between them and the calendars. Considering this is the newer model, I haven’t noticed many out there (although there are many white dial versions available on the resale market). Time will tell if another holds worth better, but it will be interesting to see exactly what Patek unveils next with their brand new products geared towards the younger market. Considering that this is the newer version, I have not noticed many out there (though there are several white dial versions available on the resale market). Time will tell if one or another retains worth better, but it’s going to be interesting to see exactly what Patek unveils next with their new products targeted towards the younger market. As I was viewing my images of the otherwise very fabulous looking fella, I could sense anger and anger creeping up on me. What I could see was something unnaturally thought out and executed to the best detail, and destroyed just to impress the continuously diverted modern onlooker.My just concept for the existence of reflective crystals, such as the one on the Patek Philippe Watches Tourneau Replica 5170P-001, is the fact that it is chosen because it looks more impressive and costly to the untrained eye — along with the expansive boom the watch industry experienced within the previous two decades convinced brought along masses of potential customers that, by character, flocked into the well-known prestige brands. I mean, picture the following situation.
A little background on the history of calendars is vital to understanding the importance and value of one of Patek Philippe’s most renowned complications – the perpetual calendar, the subject of a recent seminar in Singapore organised by the Geneva watchmaker.
Calendars – the world’s earliest horological devices – were the result of our ancestors’ attempt to divide time, a task that took centuries to complete. Early units of time were organized by observing astronomical cycles, which helped mankind regulate his existence, aiding agriculture, hunting and the observing of religious holidays.
A calendar begins with three natural rhythms that form the basis of what perpetual calendars accomplish, starting with the speed at which the Earth rotates on its axis, which forms the day. A larger rhythm is the moon’s orbit around the Earth that gives us the month. And finally the Earth’s orbit around the Sun, a route that takes approximately 365 days, or one calendar year.
Relying on complex formulas, the intricate gears and springs inside a perpetual calendar flawlessly amalgamate the three independent cosmic rhythms. Horology is thus synonymous with astronomy, charting the relationship between the Sun, Moon, and Earth, cyclical in pattern and perpetual in nature.
Patek Philippe perpetual calendars see the lunar calendar depicted in the moon phases, and the solar Gregorian calendar indicated in the date windows on the dial.
Special gearing is required to account for irregular occurrences, such as the varying lengths of months – the pesky 28-day month anomaly instead of 30 or 31 – and the leap year once in every four years, making it a considerable step up from annual calendars, which cannot handle anything outside of 30- and 31-day months.
It also means that as long as the watch is kept wound and running, a perpetual calendar only need to be adjusted once a century.
ONE: The first perpetual calendar wristwatch was a Patek Philippe
Patek Philippe did not invent the perpetual calendar, English watchmaker Thomas Mudge did in the 18th century. In fact, Sotheby’s sold an example of a Mudge perpetual calendar pocket watch dating to 1762 – perhaps the oldest one ever – just last year for £62,500.
It took Swiss watchmakers a century or so to catch up, with one of the earliest perpetual calendars by Patek Philippe being a pocket watch manufactured in 1864 that’s now in the company museum. Fitted with an enamel dial, the pocket watch features an instantaneous date, retrograde date, day, month indications in Spanish and moon phase.
Patek Philippe does, however, lay claim to the first ever wristwatch with a perpetual calendar. It was produced in 1925, and came about due to a good deal of chance. Patek Philippe Watches Skeleton Replica made the movement in 1898, but for a women’s pendant watch. However, the pendant watch remained unsold for lack of interest so in 1925 Patek Philippe decided to put the compact movement into a wristwatch case. At only 34.4mm in diameter, the watch was finally sold in October 1927 to Thomas Emery, an American who also owned several other high-end Patek Philippe timepieces.
The Emery perpetual calendar, however, was a one-off. Patek Philippe only began serial production of perpetual calendar wristwatches with the introduction of hand-wound ref. 1526 in 1941. It took another 21 years for the first automatic perpetual calendar to hit the market, with the ref. 3448 that was unveiled in 1962.
In more recent times Patek Philippe combined the perpetual calendar with other complications – including the landmark perpetual calendar chronograph that is synonymous with the brand – resulting in some of the most sought after watches in the world. In fact, the most expensive watch ever sold at auction is a stainless steel ref. 1518 chronograph with perpetual calendar.
TWO: Calendar displays, three ways
Patek Philippe perpetual calendars feature complex dials with various types of displays, namely aperture-based and sub-dials. Aperture displays include the triple in-line and twin in-line, which get their name from the calendar windows arranging linearly on the dial.
Arguably the quintessential perpetual calendar aesthetic, the sub-dial based displays typically have three smaller dials for each of the calendar functions. This style began with the ref. 3940 of 1985 powered by the cal. 240 Q, and has now evolved into over a dozen different models.
And the third type of display often found on Patek Philippe perpetual calendars combines apertures with a retrograde date display. The first serially produced watch to feature such a display was the ref. 5050 introduced in 1993, though Patek Philippe did create a one of a kind example in 1937.
THREE: Three distinct mechanisms
Just as the displays differ, the manner in which the indicators change are similarly diverse. Perpetual calendars are executed with various types of jumping indicators. The simplest is the dragging, where the indicator changes slowly over a period of time. A dragging date display, for instance, will take several minutes to change at midnight.
Then there is the semi-instantaneous, which has both dragging displays for some parts of the calendars and instantaneous jumps for others. This is the most common sort of mechanism, found in most Patek Philippe perpetual calendars, including the recent ref. 5230G.
The most impressive of all is the instantaneous perpetual calendar, which Patek Philippe introduced in 2008 with the ref. 5207P. That was followed by the ref. 5208P (a favourite of Thierry Stern’s and often on his wrist) in 2011, which featured the addition of a mono pusher chronograph.
Rather than creeping forwards slowly as a dragging display does, the calendar hands jump instantaneously at midnight. In an instantaneous calendar, all of the calendar functions jump simultaneously at midnight (albeit with an allowance of two minutes on either side of 12), requiring complex mechanics that store power throughout the day before releasing it to trigger the calendar mechanism.
Sarah Ho is a Singaporean studying at University College London (UCL) who’s also a budding writer and passionate theatregoer.