Best Quality Patek Philippe to Stage 2019 “Grand Exhibition” in Singapore Grade 1 Replica Watches

A close look makes it possible for us to observe the polished, beveled angles of the bridges and of the levers; the right graining of the many elements which compose the chronograph; the glistening screw heads and slots; several gold chatons; along with Geneva stripes that continue from 1 bridge to another. The beauty of this movement also comes out of its profound design, which allows viewing of all of the gears’ and levers’ moves when triggering the pushers. The chronograph does (obviously) use a column wheel with a vertical clutch for its engagement — the pillar wheel is, as is standard with Patek Philippe, hidden by a protective cap ( that you can see on the photo above, at the lower part of the motion). The chronograph itself is quite classical, using a bi-compax architecture displaying the measured seconds with a central hand, the moments at a subdial at 3 o’clock and the conducting moment in a subdial at 9 o’clock. Finally, it includes the precise Gyromax balance wheel, using a complimentary sprung architecture.The motion is not the only interesting element here, and turning the eye to the dial side also shows complications. The perpetual calendar elements aren’t visible through the sapphire caseback, since they’re positioned on the top of the motion. However, the dial provides lots of information, using a smart and legible screen. The month and day are indicated in two windows at 12 o’clock. The date and the moon-phase index are displayed in a third sub-dial in 6 o’clock. What is new compared to the previous benchmark (Ref. 5970) is the way it suggests the leap year and the day/night function. Formerly, these two were positioned inside the chronograph’s counters at 3 and 9 o’clock and utilized hands to point out the information. Perhaps not the most sensible and legible design, as it was easy to become confused between various hands. From the 5270, Patek Philippe Watches Replica has selected to use two small apertures — at 4:30 for the leap year and at 7:30 for its day/night indicator. The dial gains enhanced legibility and aesthetic innocence from this aesthetic choice.

Having been the subject of rumour for some months, the new is now official: the next Patek Philippe Grand Exhibition will take place in Singapore, the Asian city that’s the watchmaker’s most important in South-East Asia (and also the location of the largest Patek Philippe boutique in the region).

Confirmed by Thierry Stern in an interview with Singapore newspaper The Straits Times, the 2019 event will be its first stop in Asia. The New York Grand Exhibition (pictured above and below) just closed its doors a couple of days ago, with London’s Saatchi Gallery having been the venue in 2015, the same year the Geneva watchmaker celebrated its 175th anniversary.

The recent Patek Philippe Grand Exhibition at Cipriani 42nd Street in New York

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Sandrine and Thierry Stern outside the New York Grand Exhibition

With the template for the Grand Exhibition having been well established, come 2019 expect an expansive exhibition of Patek Philippe timepieces vintage and modern, as well as a range of limited editions (ranging from wristwatches to Dome Clocks) created just for the event. The recent New York exhibition was accompanied by a slew of limited edition exclusive to the American market, including the flagship World Time Minute Repeater ref. 5531R.

The World Time Minute Repeater ref. 5531R for the American market

Also for the American market, the Calatrava Pilot ref. 5522A

Stay tuned for more on the Grand Exhibition 2019 as soon as information is available.


How Much Hands-On with the Patek Philippe Ref. 5208T-010 “Only Watch” in Titanium Replica Watches Free Shipping

Set against the mainly black dial, they’re legible without being too disruptive or blocky due to their open-worked character. In general, it is an aesthetically pleasing and thoughtfully performed dial. It’s similar to some other Patek Philippe Watches Usa Replica watches and I suspect that motive will help justify why some people will like it and why some individuals won’t. 6006G around, you will realize that the 240 PS C movement. The automatic movement is as appealing and immaculately done as you would expect a standard Patek Philippe to be. While nothing exemplary from the brand, I do believe that the Calatrava Ref. 6006G will be the only watch using this motion, at least for the time being. Made of 191 components and functioning at 21,600 vph (3Hz), the 240 PS C includes a minimal 38 hour power reserve and maximum 48 hour power reserve.The part of the movement obviously meant to capture the eye is that the 22k gold strand using the Patek Philippe Calatrava cross engraving.As I mentioned, the circumstance is 39mm wide and a slender 8.84mm thick and using 22mm wide lugs, it’s a good, substantial wrist existence. The case is done in 18k white stone, which has always been one of my least favorite materials. When I want gold, I prefer yellow or rose gold. Otherwise, it’s Platinum when considering pieces that seem more subdued but are evident to anybody having a marginally trained eye to spot as being that pinnacle precious metal. White gold leaves me uninspired, but that’s a personal taste. What I do envision here to the Calatrava Ref. 6006 is a version in steel, but I will hold my breath for now.The Calatrava Ref. 6006G comes in an alligator strap with an 18k clasp.It’s normal, although I must say it seems a bit too formal considering that the “whimsical” dial of this watch. Still, it matches with the overall aesthetic of this watch and isn’t something I invested too much time thinking about for good or bad.A entertaining, unusual offering from Patek Philippe, the newest Calatrava Ref. 6006G will be available later in the year.

Patek Philippe‘s entry this year for Only Watch is its most complicated creation to date: a ref. 5208T-010 grand complication in a titanium case. Mechanically it’s identical to the stock model, which is to say very complicated: a minute repeater, a single-button chronograph, and an instantaneous perpetual calendar. And the ref. 5208 also happens to be one of Thierry Stern’s favourite watches.

What makes it different is the case and dial. Patek Philippe has made it a habit of rolling out one-off watches in steel or titanium for the biennial charity auction, and so it is for the 2017 instalment of Only Watch (there are whispers it will be the last auction). The case is identical to that of the ordinary platinum version, still 42mm in diameter with the same open-worked lugs.

Patek Philippe 5208T Only Watch 2

Patek Philippe 5208T Only Watch 10

So while it is still large, the watch is feels unusually lightweight, one of its best qualities. The lightness of titanium, or its lack of denseness put another way, is also a big boost for the minute repeater.

While the standard ref. 5208 in platinum (and most other Patek Philippe repeaters in the same metal) sound slightly muffled thanks to the hefty case, the Only Watch repeater is surprisingly sonorous. It sounds good.

The movement inside is the cal. R CH 27 PS QI, the second (or third depending on how you measure it) most complicated wristwatch movement made by Patek Philippe, after the whopper that’s inside the Grandmaster Chime.

Patek Philippe 5208T Only Watch 9

Patek Philippe 5208T Only Watch 8

It has an novel black rhodium finish, which is a pale grey and distinct from the silvery “white” rhodium finish that’s standard. Also unique to this watch is the engine-turned decoration on the platinum micro-rotor.

Patek Philippe 5208T Only Watch 6

Patek Philippe 5208T Only Watch 7

The guillochage on the rotor reproduces the pattern on the “carbon fibre” pattern on the dial. While modern looking enough that traditionalists might find it too modern, the dial guilloche is executed by hand and devilishly difficult to do. The motif is engraved with a traditional rose engine, with each of the horizontal and vertical strokes that mimic the weave of carbon fibre being individually engraved.

Patek Philippe 5208T Only Watch 1

Patek Philippe 5208T Only Watch 5

The dial is finished in a dark metallic blue with lots of white accents, including Super-Luminova on the hands and hour markers, giving it a sporty-ish look. That’s further enhanced, or exacerbated depending on the perspective, by the fabric strap with white stitching.

Patek Philippe 5208T Only Watch 4

Patek Philippe 5208T Only Watch 3

Overall the ref. 5208T-010 “Only Watch” is a curious beast, both impressive and peculiar. One thing, however, is certain – the watch will be by far the most expensive lot at the Only Watch auction. The estimate is SFr900,000 to SFr1.1m, or about the same in US dollars.

The crucial question is how expensive it will be. The Patek Philippe ref. 5016A at Only Watch 2015 hammered for SFr7.3m, briefly becoming the most expensive watch ever sold a world record before being bested by the vintage ref. 1518 in steel a year later.

While this year’s ref. 5208T is more complex thus intrinsically more expensive than the steel ref. 5016A, it has a decidedly contemporary look. While this look is goes down well with many of Patek Philippe’s retail clients, the preferences of buyers who splash out at watch auctions tend towards a more classic style. In fact, the taste for retro Patek Philippe watches – think Breguet numerals, leaf hands and the like – is so strong that it has also become fashion.

For that reason the price of the ref. 5208T will face resistance on its way up, leaving chances slim that it’ll surpass the mark set by its predecessor in 2015.

To see the entire Only Watch catalogue and place bids, please visit


Can I Buy Patek Philippe Ref. 5208T “Only Watch” Sells for US$6.2m Replica Watches Online Safe

It is likely to take a particular sort of buyer who likes the Patek tradition and wants a very simple dress watch but has also seen their share of watches that seem like heirlooms straight out of the boutique. I believe Patek Philippe would do well to earn a steel choice but for now it will only be available in white gold. Priced at only around $30,000, it is about what you’d expect for a golden Patek Philippe time-only watch. I’m tenuously positive concerning the opinion but it is a substantial sticker price for the quirky cousin at the Calatrava household. Auctions are ideal for this sale of special items which aren’t otherwise available on the market.For that reason, I look forward to the interesting watches that are contributed to the Only Watch auction series which is currently being run by the auction house Christie’s. Just Watch is an event that we have covered a good deal over the years on aBlogtoWatch, and the next installment of this biennial auction sale will occur at Geneva on November 11th, 2017. The sole Watch auction series is not as powerful an event because it used to be, but its principal theme is still respected. The notion is that watch brands publish unique watches created specifically to be donated and sold in the auction. These are exceptional prototypes or are the very first in a limited-edition series. The profits (minus all sorts of fees, I’m sure) are to be given to Association Monegasque Contre le Myopathies (AMM) whose goal is to fund medical research to help treat a form of muscle dystrophy.Only Watch is just as powerful as the watches that are given by watch brands. All these are tax write-offs in addition to a means to gain promotion and an ego boost. Brands like to see their products go under the gavel and get bought up by collectors. That said, there’s nothing to stop brands from bidding on their own watches either directly or by means of a proxy. So, in my opinion, the actual numerical value of what the watches end up going for in the auction should be taken with a grain of salt. That same doctrine ought to be applied to the outcomes of every auction, as they merely represent what one purchaser, who happened to be current, was willing to do on that day.

The top lot at Only Watch 2017 was, predictably, the Patek Philippe Used Watches Sale Uk Replica ref. 5208T grand complication in titanium. Carrying an estimate of a piffling SFr900,000 to SFr1m, it sold for SFr6.2m, all fees included. That’s equivalent to US$6.2m, and just below the SFr7.3m price of the one-off stainless steel ref. 5016A the Geneva watchmaker put together for Only Watch two years ago.

Spirited bidding from several familiar room bidders from the Middle East, Europe and Asia helped carry the ref. 5208T to its final price, with the last two bidders tussling for the watch being Asian. Eventually the victor was the phone bidder represented by John Reardon, the head of Christie’s watch department.

Patek Philippe 5208T Only Watch 2

Already priced at just shy of a million dollars at retail for the ordinary platinum version, the ref. 5208 in titanium is unusually modern in style with its carbon-fibre inspired dial, but light in hand and pleasing to the ear; the titanium case makes a tremendous difference to its acoustics.

Patek Philippe 5208T Only Watch 8

With the beat-up Daytona “Paul Newman” once owned by Mr Newman himself having just sold for US$17.5m last month, the titanium Patek Philippe feels almost like a good buy.


Can I Buy The Extraordinary Story of the Patek Philippe That Survived The Holocaust Low Price Replica

A customer, as the industry strangely likes to call him walks into a boutique, asking for “something gaudy — but not tasteless… I heard from last time.” Seating plus a glass of bubbly is available and moments later he has the boutique’s staff hand one of these beauties over using their white gloved hands — for their lowly human skin is not allowed to touch such precious materials such as almost-pure platinum, or sapphire. As the spot lamps shine upon this setting like stars in the sky, the watch reflects light back in the customer, blinding his eyes, keeping them out of focusing on the ever-so-small cost label tucked away neatly on the interior of their strap.His eyes, so tired from witnessing the plebs go about their lives as he rolls past them in his tinted Maybach, do their best to glimpse behind the curved and proudly non-AR-coated crystal, desperately searching for the feast they could feel is awaiting. Their efforts give great rewards: nine enormous, baguette-cut diamonds glow back at them “in the vicinity of a fifth of a carat,” his educated nouveau riche vision makes him whisper along with the team nearly claps in admiration. They are roughly 0.23ct.As a viewing angle is found at which the whole ceiling and the remainder of the shop isn’t reflected back at the client, a dial in a vibrant, yet noble shade of blue begins to reveal itself, set alight by a subtle sunburst finish. No deep grooves or any of the crap, only the lightest touch on the surface. Seconds later, it becomes evident, the 5170P is not about the dial colour, but about those fabulous baguette diamonds — that, to be fair, put an honorable battle against the reflections as they too scatter light at a million ways.Diamond markers be a divisive power among watch enthusiasts. People that have a more faint confidence in their taste (or something different, possibly?) Actively seek the chance to overreact and, as such, contemplate even the proposal of diamond markers to be a personal attack.

Some time ago I received an email from a gentleman explaining his family had a Patek Philippe Watches By Price Replica that once belonged to his grandfather, which they might want to sell. Eventually I got in touch with the gentleman’s 80-year old mother, Mrs M. The stereotypical story of a little old lady with valuable heirloom – well, this was it, and then some.

The watch turned out to be a Patek Philippe Calatrava ref. 530 in 14k yellow gold. A rare model, particularly in 14k gold, and desirable because of its largish 36.5mm case, the watch also had a black dial that was confirmed by the archive extract, making it one of just a few known. Prime examples have sold in the past for over US$100,000, with one topping US$300,000.

During my email correspondence with Mrs M, I made the offhand remark that the watch showed some wear, rendering it quite a bit less valuable than a pristine example. She replied that was indeed true, but the condition was a result of the watch having, in essence, survived the Holocaust. That left me feeling guilty for critiquing the condition.

Mrs M’s father had handed the watch to her mother moments before he was taken away by the Gestapo and sent to Auschwitz. Her mother never saw him again, but wore the watch every day for the rest of her life.

The ref. 530 as captured by Mrs M

The sheer magnitude of that left a vast impression on me. All vintage watches possess some sort of memory, invisibly etched into the metal, but few can convey the incredible tale of love, loss, and hope that this wristwatch does.

While there exist more valuable watches with more glamorous backstories, this Patek Philippe ref. 530 has a history and provenance worth recounting in detail. While the tale is unhappy, it is ultimately uplifting, ending as a story of survival and hope.

It begins in fin de siècle Budapest, then one of the two capitals of the Austro-Hungarian Empire (the other being Vienna), the cosmopolitan agglomeration of states that occupied a swathe of central Europe. The era was an elegant and alluring age, a brief period in the 20th century before everything came to an end when, as Sir Edward Grey put it in 1914, “The lamps are going out all over Europe, we shall not see them lit again in our life-time.”

Mrs M’s father was Jeno Gertler, born in 1903 to a prosperous Jewish Hungarian family that produced many prominent members in the arts and commerce. A cousin, Andre Gertler, was a renowned classical violinist (with his own Wikipedia entry), while another cousin, Viktor, was a noted film director (and is also on Wikipedia).

Though he was born in a small town, Jeno moved to Budapest to study law. He became a successful attorney, while also going into the motion picture business with his cousin Viktor. The duo distributed foreign and Hungarian films, both locally and in other European countries. And Jeno also owned three movie theatres in Budapest, named Alpha, Astoria and Universal, a reminder that once upon a time going to see a film was a glamorous enough activity that every cinema deserved its own name.

Jeno Gertler in 1943 or early 1944, with the Calatrava on his wrist

Jeno, in short, was an affluent and cultivated man – Mrs M describes her father as a “social man of refined taste” – the very sort who would buy a Patek Philippe wristwatch. And so he did, in 1941.

But Jeno did not buy just any Patek Philippe, but instead an oversized wristwatch with a black dial, the polar opposite of the 30mm, silver dial Calatravas that were most common at the time. He did have good taste.

Budapest in 1915, as the Gertlers would have known it. [Image Wikipedia]

A decade before he bought the Patek, Jeno had married Mrs M’s mother, Klara Fischer. Like Jeno, Klara hailed from a well-off family, with her grandfather having founded a cosmetics manufacturer, Compexa, as well as owning several pharmacies as well as a large mansion in the city.

The pair had met while playing tennis – both were ardent tennis players who won several prizes – living a warm and wonderful life in pre-war Budapest. A favourite haunt was the New York Kávéház, or New York Cafe, an swanky coffeehouse in Budapest that Mrs M describes as a “sophisticated meeting place of professionals, intellectuals, poets, writers and artists”. Mrs M adds that the cafe has since been restored to its original glory, leaving it looking much like it would have been when her parents and their friends socialised there.

The Gertlers had two children, Mrs M and her brother, and together the family led their lives in an upscale neighbourhood – residing in an apartment at Gróf Teleki Pal Utica 21, an address named after a Hungarian noble (Grof translates as “Count”) that was given a more appropriately Communist name after the war. Mrs M recounts an early life with vacations to lakes and mountains, along with days of piano and ballet lessons, while being attended to by nannies and doted on by grandparents.

Jeno and Klara Gertler (centre), celebrating New Year’s Eve in 1941 at the New York Cafe in Budapest. To the far right is Jeno’s cousin, Viktor.

Life became difficult during the Second World War, with Hungary entering on the side of the Axis Powers, but remained tolerable. That changed in 1944, when the Hungarian government started secret negotiations with the Allies, hoping to switch sides. In response, German troops marched into Hungary and toppled the government, replacing it with a pro-Nazi Fascist regime that began rounding up Jews and confiscating their assets. The Gertler’s homes and theatres were taken.

In late 1944, Jeno was detained by the Gestapo. Just before he was taken away, Jeno gave Klara his Patek Philippe for safekeeping, perhaps hoping he might one day retrieve it.

Hours after her husband’s arrest, realising the gravity of the situation, Klara took her two young children – Mrs M was just seven then – along with a handful of possessions, the Patek Philippe amongst them, and fled.

The trio were helped and hidden by friends and Catholics nuns along the way, and managed to survive the war. In 1947, with Hungary under Communist rule, Klara and her children boarded a train, ostensibly headed to the Budapest countryside. Instead they were destined for Paris – the plan was to obtain and visa to South America, where an uncle would provide them safe harbour. There was nothing left for them in Budapest.

The plan almost came undone at the border, which was manned by Russian troops who stopped Klara and the children, ordering they turn back. Klara pled and cried and pled again, and the soldiers relented. The family made it, and eventually moved to the United States.

Jeno never returned from Auschwitz, but Klara had his watch on her wrist every day for the rest of her life. She passed away in 1976 in Washington DC.

Patek 530 Christies Gertler 1

Mrs M has owned the Patek Philippe steadfastly since then, but it is now time for the watch to pass on. “The Patek Phillippe timepiece my father owned, which I have kept for almost 70 years,” writes Mrs M, “At age 80 I am finally finding myself able to let it go on its next journey and to get the attention it deserves.”

Mrs M has consigned the Patek Philippe to Christie’s, which will offer the watch in its upcoming New York watch auction that takes place on December 7 at 20 Rockefeller Center. The watch is lot 40 and estimated at US$100,000 to US$200,000, and you can see it online here.

The Calatrava, along with the other lots in the catalogue, can be seen in person during the preview exhibition that’s open daily from December 3 to 6.


Who Sells The Best Measuring Eternity – Three Facts to Know About the Patek Philippe Perpetual Calendar Replica At Lowest Price

It is rather difficult to imagine, however, the Patek Philippe 5270 is actually the simplest perpetual calendar chronograph of the group; bear in mind that the two other references with those complications also comprise a split-second (ref. 5204) or even a minute repeater (ref. 5208). Certainly, however, the 5270 isn’t a easy watch. It is the latest edition in a long lineage that began with the reference 1518, the world’s first perpetual calendar chronograph, released at the center of the 1940s. This exceptionally rare bird has been created for just 13 decades, in 281 pieces, and includes a movement according to a Valjoux ébauche but highly modified and adorned with the Geneva Seal. A couple of years after, during the early 1950s, Patek Philippe established the Reference 2499, a better edition of this perpetual calendar chronograph. Virtually identical in design, the 3970 and the 5970 came then, with little improvements and updated shapes. But in 2011, the 5270 added something very intriguing to this classical model: an in-house movement. No more Valjoux or Lemania base, but instead pure Patek Philippe.Make no error about this Patek Philippe 5270. Even if it looks very similar to the prior mention, nothing is identical. The design, design, movement, case, size… what’s new, but stays classical. Patek Philippe chose not to violate the codes, but intended to enhance and update an icon, as it introduced this reference in 2011 with a silver-white dial. In 2014, Patek Philippe has come out with fresh dials, for instance, gloomy one we had the chance to manage to get some hours.Before this brand new mention surfaced, Patek Philippe would usually electricity its chronographs with a Lemania-based movement, Caliber 27-70. Even if this ébauche was deeply modified, both on the finishing fronts, Patek at one point determined it couldn’t outsource anymore in an age in which the expression “in-house” has gained so much importance. Hence that the brand created a fully homemade motion, developed and fabricated in house — i.e., a manufacture motion. Patek Philippe Caliber CH 29-535 PS Q is a 32-mm manually wound engine that is impressive not only because of its own complications, but also due to the quality of its finishing. Much like every modern Patek Philippe watch, it is adorned with the Patek Philippe Seal. As we told you recently, the strictest of quality control criteria are exerted from the manufacturing of every single part of the watch — the motion, the case, dial, hands, et al. — together with strict criteria applied to form, function, and precision.

A little background on the history of calendars is vital to understanding the importance and value of one of Patek Philippe’s most renowned complications – the perpetual calendar, the subject of a recent seminar in Singapore organised by the Geneva watchmaker.

Calendars – the world’s earliest horological devices – were the result of our ancestors’ attempt to divide time, a task that took centuries to complete. Early units of time were organized by observing astronomical cycles, which helped mankind regulate his existence, aiding agriculture, hunting and the observing of religious holidays.

A calendar begins with three natural rhythms that form the basis of what perpetual calendars accomplish, starting with the speed at which the Earth rotates on its axis, which forms the day. A larger rhythm is the moon’s orbit around the Earth that gives us the month. And finally the Earth’s orbit around the Sun, a route that takes approximately 365 days, or one calendar year.

Relying on complex formulas, the intricate gears and springs inside a perpetual calendar flawlessly amalgamate the three independent cosmic rhythms. Horology is thus synonymous with astronomy, charting the relationship between the Sun, Moon, and Earth, cyclical in pattern and perpetual in nature.

Patek Philippe perpetual calendar seminar Singapore 2017

Patek Philippe perpetual calendars see the lunar calendar depicted in the moon phases, and the solar Gregorian calendar indicated in the date windows on the dial.

Special gearing is required to account for irregular occurrences, such as the varying lengths of months – the pesky 28-day month anomaly instead of 30 or 31 – and the leap year once in every four years, making it a considerable step up from annual calendars, which cannot handle anything outside of 30- and 31-day months.

It also means that as long as the watch is kept wound and running, a perpetual calendar only need to be adjusted once a century.

ONE: The first perpetual calendar wristwatch was a Patek Philippe

Patek Philippe did not invent the perpetual calendar, English watchmaker Thomas Mudge did in the 18th century. In fact, Sotheby’s sold an example of a Mudge perpetual calendar pocket watch dating to 1762 – perhaps the oldest one ever – just last year for £62,500.

It took Swiss watchmakers a century or so to catch up, with one of the earliest perpetual calendars by Patek Philippe being a pocket watch manufactured in 1864 that’s now in the company museum. Fitted with an enamel dial, the pocket watch features an instantaneous date, retrograde date, day, month indications in Spanish and moon phase.

Patek Philippe does, however, lay claim to the first ever wristwatch with a perpetual calendar. It was produced in 1925, and came about due to a good deal of chance. Patek Philippe made the movement in 1898, but for a women’s pendant watch. However, the pendant watch remained unsold for lack of interest so in 1925 Patek Philippe decided to put the compact movement into a wristwatch case. At only 34.4mm in diameter, the watch was finally sold in October 1927 to Thomas Emery, an American who also owned several other high-end Patek Philippe timepieces.

The first perpetual calendar wristwatch, circa 1925

The Emery perpetual calendar, however, was a one-off. Patek Philippe only began serial production of perpetual calendar wristwatches with the introduction of hand-wound ref. 1526 in 1941. It took another 21 years for the first automatic perpetual calendar to hit the market, with the ref. 3448 that was unveiled in 1962.

One of the earliest examples of the ref. 1526, produced in 1942

In more recent times Patek Philippe combined the perpetual calendar with other complications – including the landmark perpetual calendar chronograph that is synonymous with the brand – resulting in some of the most sought after watches in the world. In fact, the most expensive watch ever sold at auction is a stainless steel ref. 1518 chronograph with perpetual calendar.

TWO: Calendar displays, three ways

Patek Philippe perpetual calendars feature complex dials with various types of displays, namely aperture-based and sub-dials. Aperture displays include the triple in-line and twin in-line, which get their name from the calendar windows arranging linearly on the dial.

A twin in-line display on a ref. 3448, circa 1962

A 1928 perpetual calendar pocket watch with aperture display, powered by a movement built on a Victorin Piguet ebauche.

Arguably the quintessential perpetual calendar aesthetic, the sub-dial based displays typically have three smaller dials for each of the calendar functions. This style began with the ref. 3940 of 1985 powered by the cal. 240 Q, and has now evolved into over a dozen different models.

The ref. 5327J, the latest iteration of the classic perpetual calendar with sub-dials

And the third type of display often found on Patek Philippe perpetual calendars combines apertures with a retrograde date display. The first serially produced watch to feature such a display was the ref. 5050 introduced in 1993, though Patek Philippe did create a one of a kind example in 1937.

The modern day ref. 5160/500G with a retrograde date and hand-engraved case

THREE: Three distinct mechanisms

Just as the displays differ, the manner in which the indicators change are similarly diverse. Perpetual calendars are executed with various types of jumping indicators. The simplest is the dragging, where the indicator changes slowly over a period of time. A dragging date display, for instance, will take several minutes to change at midnight.

Then there is the semi-instantaneous, which has both dragging displays for some parts of the calendars and instantaneous jumps for others. This is the most common sort of mechanism, found in most Patek Philippe perpetual calendars, including the recent ref. 5230G.

The ref. 5320G, just launched at Baselworld 2017

The most impressive of all is the instantaneous perpetual calendar, which Patek Philippe introduced in 2008 with the ref. 5207P. That was followed by the ref. 5208P (a favourite of Thierry Stern’s and often on his wrist) in 2011, which featured the addition of a mono pusher chronograph.

Rather than creeping forwards slowly as a dragging display does, the calendar hands jump instantaneously at midnight. In an instantaneous calendar, all of the calendar functions jump simultaneously at midnight (albeit with an allowance of two minutes on either side of 12), requiring complex mechanics that store power throughout the day before releasing it to trigger the calendar mechanism.

Sarah Ho is a Singaporean studying at University College London (UCL) who’s also a budding writer and passionate theatregoer.

Benefits Of Buying The Million Dollar Patek That’s Still a Million Dollars 10 Year Later Replica At Best Price

When the chronograph’s beginning pusher is engaged, the column wheel under the cap rotates, thus dropping this arm in between the pillar wheel’s columns, therefore moving the second of the two driving wheels marginally so that it begins to mesh with the wheel at the center. The distance traveled by this arm requires painstaking fine-tuning, something this limit would be to assist with — though I would still prefer to see a well-working chronograph having an exposed column wheel. I think that’s enough column wheel discussion for the day.The beauty of a hand-wound chronograph is that you get to have of the eye-candy. There isn’t a fiddly rotor always at all. Sixty-five hours is sufficient to produce the 5170P last from Friday evening until Monday morning — a feat every high-end watch wider than 36mm should provide.All the functionality apart, the 29-535 is so beautiful, I’d go so far as to say it’s a must have in every collector’s career. Not necessarily a life keeper, but a standard for every contemporary high-end chronograph. None ought to be a replica of this, do not get me wrong, but any modifications done to this layout and these proportions must be encouraged by strong reasons — improved performance, higher performance, etc.. Few movements bother with proportions, let alone proportions contrary to case dimensions, but things are just perfect. The huge balance wheel seen in Patek chronographs of older certainly add a more customary flair, but if you would like modern frequency and balance wheel design, you need to accept a smaller balance as a reasonable compromise.Returning to the dial side just for a more serious passing, the Patek Philippe 5170P is an interesting beast. The watch marketplace since it’s suffers no shortage of platinum-clad, diamond-brazen watches — but something is telling me nobody in the hippie-hoppie music industry will be seen rocking the 5170P in any of the videos anytime soon.

Before extra-large, steel chronographs were all the rage, the first proper million dollar Patek Philippe reference was arguably the Louis Cottier world time – the refs. 1415 and 2523 fitted with cloisonné dials – being the models that consistently and regularly achieved seven figure prices at auctions, which were mostly Antiquorum sales presided over by Osvaldo Patrizzi in those days.

Starting in the late 1990s, the vintage cloisonné dial world time – usually a double-crown ref. 2523 selling in Geneva – sailed past a million francs and stayed between that and SFr2.0m until the late 2000s. The high watermark came in April 2002 when a buyer, a noted East Asian industrialist according to industry lore, paid a mind boggling SFr6.6m for a ref. 1415 HU in platinum, about US$4m at the time and a record that probably won’t be broken for a generation or two.

Coincidentally, the surge in prices for the vintage world time dovetailed neatly with the artfully-timed launch of the modern day equivalent, the ref. 5110, in the year 2000. And since then the contemporary world time has become a mainstay of the Patek Philippe line-up: the basic model has undergone two facelifts, and the complication has been combined with a chronograph, minute repeater, as well as moon phase.

In the same period, an early ref. 2499 (meaning first or second series) in pink gold cost about the same as a cloisonné dial world time. Over a decade on, the 2499 has doubled in value, the steel 1518 has quadrupled, and various other watches have gone on to rack up various other records.

The vintage world times, on the other hand, have not enjoyed much buzz or breathless coverage and consequently have only inched up modestly in value, or not at all. In the peculiar world of high-end vintage watches that might make a world time a reasonable proposition relative to everything else (like a US$17m Rolex Daytona or an US$11m Patek Philipp 1518), perhaps even a good buy.

“Behold – I was once the most expensive watch in the world”

With the total number of world times of all references standing at several dozen – the world time mechanisms were reputedly assembled by Cottier himself – as opposed to 281 of the ref. 1518 and 349 for the ref. 2499, the world time is a rare watch, but not suited to the current fads in the vintage watch market. And the average world time buyer is typically of a different generation from the youngish collectors who desire Patek Philippe chronographs or Rolex Paul Newmans.

Phillips’ upcoming Hong Kong watch auction includes a ref. 2523, one of just three known with a gold guilloche dial. The very same watch was first sold in May 2012 at Antiquorum Geneva for SFr1.19m, having been consigned by the family of the original owner. The 2012 result was equivalent to about US$1.3m at the prevailing exchange rate then.

Now the estimate is HK$10m to HK$20m, or US$1.25m to US$2.5m, and the final price is likely to stay well within the estimate. For a Patek Philippe completed wristwatch with perhaps two dozen in existence that seems like a reasonable ask.

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Produced in 1953, the watch is made even more unusual thanks to three hallmarks on the back: two French import marks for precious metal, and the third being the logo of Parisian jeweller Jean Guillermin. Only two other 2523s are known with retailer signatures – “Gobbi Milano” and “Tiffany & Co.” – albeit on the dials rather than the back.

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The ref. 2523 is also in strikingly original condition, bearing all the nicks, dings and scratches – even the grime in the hallmarks – accumulated over the last six decades. According to the catalogue description when it was first sold in 2012, the watch was sent to Patek Philippe for servicing the year before, with express instructions that the case remained untouched.

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The ref. 2523 with gold guilloche dial is lot 908 in The Hong Kong Watch Auction: Five.


Where Can I Buy Hands-On with The Rarest Patek Philippe Perpetual Calendar Wristwatch Ever Replica Watches Young Professional

That translated into watch-terminology means that the motion includes a flyback chronograph, an yearly calendar, a power-reserve signal (for what the brand notes anything between 45 and 55 hours, probably depending on to how long the chronograph is in operation), and also a day-night indication. Its base movement contains 302 components, while the smart (and just 2.48 mm thick) yearly calendar module adds yet another 154 parts to that. And while we frequently discuss endless calendars–calendars that require absolutely no adjustments before the year 2100–yearly calendars mean a wise transition between them and the classical calendars. Considering this is the newer version, I have not noticed many out there (though there are several white dial models available on the resale market). Time will tell if one or the other retains worth better, but it will be interesting to find out exactly what Patek unveils alongside their new products geared towards the younger market. Cost for your Patek Philippe 5960/1A Annual Calendar Chronograph in steel with black dial is unchanged at 45,000 CHF, which is just a hair over the same amount in US dollars. Considering that this is the newer version, I haven’t noticed many out there (though there are several white dial models available on the resale market). Time will tell if another holds value better, but it’s going to be interesting to see exactly what Patek unveils alongside their brand new products targeted towards the younger market. As I was reviewing my pictures of the otherwise quite fabulous looking fella, I could feel anger and frustration creeping up on me. What I could see was something painstakingly thought out and implemented to the finest detail, ruined just to impress the continuously distracted modern onlooker.My just theory for the occurrence of wrought crystals, such as the one on the Patek Philippe 5170P-001, is that it’s chosen because it looks more impressive and expensive to the untrained eye — and the grand boom that the watch industry experienced over the previous two decades sure brought along masses of untrained clients that, by character, flocked to the well-known prestige brands. I mean, picture the following scenario.

Only three of the Patek Philippe ref. 3449 were ever made. And this is one of them.

The ref. 3449 is uncommon enough that it is not especially well known, particularly in comparison to its closest equivalents, the refs. 3448 and 3450. Each of the three ref. 3449s made has been sold at auction in the last two decades (more than once for two examples), consistently achieving well over US$1m – it is a watch a small number of people will pay a large sum of money for.

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Beyond its scarcity, the ref. 3449 is intriguing because it represents an aesthetic cul-de-sac for Patek Philippe. It’s a beautiful design that went nowhere. Distinct from other Patek Philippe perpetual calendars with its unusual case, the 3449 was made in 1961, just as production of the earlier ref. 2497 perpetual calendar was ending. Its case is 37mm in diameter, with straight lugs and a thin profile, thanks to the smallish manual-wind cal. 23-300Q movement inside (its contemporaries were powered by wider and thicker automatic movements).

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Patek Philippe 3449 perpetual calendar 22

Described by Christie’s in 2014 as “produced [at the] special request of Henri Stern, wishing to test the demand for a large size but very flat perpetual calendar wristwatch”, the ref. 3449 probably met with a lukewarm response; the ref. 3449 pictured here was produced in 1961 and only sold in May 1965. A year after the ref. 3449’s brief tenure, the ref. 3448 was unveiled and went on to enjoy nearly 20 years in the catalogue, becoming the definitive Patek Philippe perpetual calendar for the period.

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Despite being exceedingly uncommon, the ref. 3449 has been thoroughly documented. Sequentially numbered on their movements 799000, 799001 and 799002, the three examples of the ref. 3449 all have yellow gold cases and silvered dials.

But intriguingly, and perhaps proving the thesis that they were experimental watches, each of them has a slightly different case. According to Christie’s Patek Philippe 175 catalogue, “no. 791’000 is fitted with a triple-stepped bezel and angular lugs; the second, no. 791’001, with a double-stepped bezel and angular lugs; the third, the present no. 791’002, with triple-stepped bezel and elongated straight lugs, at least 1 mm. longer than those of its predecessors.”

The second of the series, movement number 799001, was sold for almost SFr300,000 in 1989 at The Art of Patek Philippe thematic sale marking the company’s 150th anniversary. The buyer was the Patek Philippe Museum, which has had the watch on display since. And the example with movement 799000 was last sold publicly in 2011 for SFr1.43m at Christie’s in Geneva, and is now owned by an important collector.

And then there is movement number 799002, which is inside the watch pictured here. Having changed hands at auction thrice in the last two decades, this ref. 3449 was sold November 2014 at Christie’s Patek Philippe 175 auction, where it went for SFr1.21m. And not too long ago, the watch was acquired by the current owner, a collector who, to put it mildly, knows what he’s doing.

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In the metal the ref. 3449 is instantly identifiable as unique in form. The 37mm case is large for the period, but the size is accentuated by the slimness and style of the case. Its is a classic flying saucer shape – tripled-stepped and downward sloping to a narrow rim, while the snap-on case back is convex. The stacked, sloping sides of the watch mean it sits thinner on the wrist than it looks in the hand.

Though the case shape is faintly reminiscent of a handful of Calatrava models like the refs. 2429 and 3445 as well as the ref. 2551 “Disco Volante”, it’s unusual for a complicated Patek Philippe, maybe even avant-garde for the period. And the manually-wound movement is less convenient than an automatic, which is perhaps why it went to no further.

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Notably, this example is engraved on the back with the name of the original owner, George E. Poston, the dates of his birthday and 30th birthday, as well as an abbreviated French phrase that translates as “Today more than yesterday and less than tomorrow”, borrowed from poet Rosemonde Gérard.

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A Texas real estate developer, George E. Poston bought the ref. 3449 – for US$5500 at the time – at Linz Brothers, a Dallas jeweller that was the biggest seller of Rolex watches in the United States in the 1950s. Now in his eighties, Mr Poston sold the ref. 3449 in the late 1980s, though he remembered it well and contributed to the Christie’s catalogue when the watch came to market in 2014. He was quoted in the catalogue as saying, “I have an investor’s mentality and a collector’s heart. I love history, French Impressionist paintings, cars, and watches. But if a stock goes up 1000%, I sell.” He still collects Patek Philippe watches today.

Though the watch has changed hands several times since it left the Linz store in 1965, it has remained in crisp condition. On the outside, the shape, finish and edges are correct, while the hallmarks and engraving remain strong. And the inside has been similarly well preserved. The dial is clean and original, with only the faintest of darkening of its silvered finish.

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Now a permanent resident in one of the world’s finest watch collections, this ref. 3449 is in good hands.


We Buy The Fake Rivalry That Created the World’s Most Expensive Timepiece Replica Buyers Guide

Another change (like we mentioned, every aspect has been altered or improved) is in the scenario, which has a diameter of 41 mm rather than 39 mm. It is a bit bigger, but stays in the reasonable category (think about the Vacheron Constantin Patrimony Chronograph, that is 42 mm, and the A. Lange & Sohne Datograph Up/Down, that is 41 mm). It’s made from 18k white gold and includes an interesting, typically Patek form — convex bezel, complex lugs, and rectangular chronograph pushers. The case stays quite narrow at 12.4 mm, and positions itself really nicely on the wrist. The overall look of this Patek Philippe Watches Cheap Replica 5270 is refined, complicated and elegant. The minor adjustments to the layout give us a cleaner and more contemporary watch.The last of those changes, and also brand new for 2014, is that blue colour combination (both for the dial and the strap). Even if blue is a cold color (especially when paired with a white-gold case), this new edition is, yet, more attractive. The dial isn’t plain but slightly guillochéd, using a sunburst pattern, and consequently gives off very pleasant reflections (which were sadly difficult to capture during our photo shoot). The contrast with the white gold hands and applied indexes and also the snowy inscriptions is excellent and allows for really good legibility.

The story of two American magnates in the early 20th century, locked in a desperate contest to acquire the most complicated — and expensive — watch will be familiar to those acquainted with the brand mythology of the Geneva watchmakers, Patek Philippe.

The spending contest, the clash of egos, the subterfuge are the inevitable ingredients in a story of rival collectors. To add to the clichés, the ultimate prize, the most complicated portable timepiece in the world, has brought misfortune to its owners and is assuredly as cursed as the jewel stolen from a vindictive idol.

The tale of the arms race between staggeringly rich Henry Graves Jr and James Ward Packard, creator of America’s first luxury car, soon bore fruit. Told to a reporter ahead of the Sotheby’s auction of the Graves watch, it persuaded Sheikh Saud bin Mohammed Al-Thani to pay a record-breaking US$11 million at Sotheby’s in 1999 for the victorious supercomplication completed for Graves in 1932.

The sheikh, a member of Qatar’s ruling family, is fondly remembered by dealers and auctioneers for his prolific spending on art and gadgets before forfeiting his wealth fighting corruption charges. The sheik died unexpectedly in 2014, two days before Sotheby’s again sold his Graves watch for US$24 million, making it the most expensive timepiece and earning it the title of the Mona Lisa of watchmaking.

The much-embellished Graves-Packard duel even became the subject of a book, A Grand Complication — The Race to Build the World’s Most Legendary Watch, by Stacy Perman, published in 2013.

The Patek Philippe Henry Graves Supercomplication that sold for US$24m

Yet this alleged rivalry between two rich men to possess the ultimate timepiece is a complete fabrication. Asked to comment on the book, Mr Alan Banbery, a former director of Patek Philippe, and architect of the company’s post-quartz resurgence, admitted to being the source of the Packard-Graves rivalry story. He floated it in the early 1990s to promote his company’s lucrative competence in highly expensive complications, recently incarnated by the Calibre 89. In 1999 he raised it in a newspaper interview ahead of the sale of the Graves watch.

There is no evidence or even indication that Packard and Graves ever met; they acquired different types of watches independently and moved in distinct social circles. Graves was five years younger than Packard and outlived him by 25 years.

James Ward Packard was a hands-on engineer. He made a fortune in light bulbs and another in automobiles, for which he invented the steering wheel.

James Ward Packard, pictured in one of his early automobiles, c. 1900. Credit Lehigh University Photograph Collection

Henry Graves Jr was a scion of America’s old-money aristocracy. He inherited a banking fortune and made another in real estate, railways and by cornering cement. He pursued a life of active leisure in a style suited to a man of cultivated tastes.

His Fifth Avenue apartment and the country mansions in Irvington and Saranac NY, where he raced his motorboat, were lavishly decorated with furnishings, works of art and silver, bearing the Graves crest and motto Esse quam videre — reality rather than illusion. In winter, the family migrated to Charleston, where Graves, a keen horseman, frequented the Yeamans Hall country club. The few published photographs of him show a gentleman who evidently employed a first-class valet.

Henry Graves Jr. Credit Sotheby’s

Graves would have regarded Packard, if he were indeed aware of him, as a mere mechanic.

Their different approaches to collecting make any personal rivalry even more unlikely. Packard was one of those kids who take apart the family clocks and fix their friends’ watches. As a mechanical engineer, he had a professional appreciation of watch mechanics and sought out its possibilities in an eclectic variety of chiming and astronomical timepieces, a ring watch, one for the top of his cane and another that played his favourite lullaby. He mainly bought chiming watches with astronomical complications from Patek Philippe, and precision watches from English makers.

Graves simply hoarded the best of anything: the rarest coins, the most priceless Chinese porcelain, the prettiest paperweights, artworks of royal European provenance. For him the best watches were the most accurate, so he snapped up the winners of the Swiss observatory competitions, many of them from Patek Philippe and some from Vacheron Constantin.

The “race to build the most legendary watch” between the two men is furthermore contradicted by their collecting history. It must be remembered that the dates of their custom-made watches (the Packard 1916, the Graves 1926, the Packard 1927 and the Graves 1932) are those of their completion, not their order. They took several years to build.

Packard ordered his most complicated watch from Patek Philippe in around 1910 and it was delivered in 1916. Graves only got interested in complicated watches in 1919, when he was 51 years old, but none of those he ordered from Patek Philippe were specified to outrank the 15 complications of the Packard 1916 watch.

By the time his watches were delivered from the mid 1920s, Packard, in hospital with a brain tumour, was no longer ordering watches. His last and most elegant watch, with 10 complications and a star chart was delivered to his hospital bed in 1927.

The Packard astronomical pocket watch by Patek Philippe delivered in 1927

The Graves grand complication pocket watch delivered in 1926, with the his family’s crest on the back

It was only after Packard’s death in 1928 that Graves arrived in Geneva to give Patek Philippe the go-ahead to produce the 24-complication watch that had been under development for three years. If Graves were competing in the complication stakes, it would not be against any of Packard’s watches. The watch to beat was the 20-complication Leroy 01, completed in 1904 for the stupendously rich Portuguese mystic, Dr Antonio Augusto Carvalho Monteiro.

Furthermore, Graves was not the kind who would stoop to compete. If you acquire the best, you don’t need to.

The Leroy 01 grand complication pocket watch. Credit Musée du Temps Besançon

It’s always a pity to let facts get in the way of a good story, but the clever marketing myth has served its purpose of supporting Patek Philippe’s strategy, not to sell more watches, but to increase their price. In the global competition for status, the message of the Graves-Packard rivalry is embedded: the money spent on a Patek Philippe buys a guarantee that you outclass your rivals. In the top price range, the company is secure in its reputation as the maker of the most expensive complicated watches.

However, collectors’ motivations change. Today they can be compelled to buy Patek Philippe’s minute-repeaters on the grounds they have been individually listened to, personally, by the owner of the company.

Stories ain’t what they used to be.

Alan Downing worked as a news journalist in Africa and in Europe before being drawn into the world of luxury watchmaking at the start of the post-quartz revival. Since then he has written for and about the Swiss watch industry, gaining a privileged insight into a fascinating artistic, economic and industrial culture. Some readers might remember the Watchbore character he created on the Timezone watch forum.

Cheap Wholesale Patek Philippe Launches New Website (That Also Has Swiss Retail Prices) Replica Buyers Guide

A close look makes it possible for us to observe the polished, beveled angles of the bridges as well as the levers; the right graining of the several elements that compose the chronograph; the glistening screw heads and slots; many gold chatons; and Geneva stripes that continue from 1 bridge to another. The attractiveness of the movement also comes from its pleasantly deep layout, which permits viewing of all the gears’ and levers’ motions when activating the pushers. Some long-term Patek Philippe’s collectors might prefer the older Lemania’s bridges, but this one is actually quite nice, too. The chronograph does (obviously) use a column wheel using a vertical clutch for its involvement — the pillar wheel is, as is usual with Patek Philippe, concealed by a protective cap ( you can see on the photo above, in the lower portion of this movement). The chronograph itself is very classical, using a bi-compax architecture displaying the measured seconds using a fundamental hand, the minutes in a subdial at 3 o’clock and the conducting second in a subdial at 9 o’clock. Finally, it comes with the precise Gyromax balance wheel, with a free sprung architecture.The movement is not the only interesting element here, and turning the eye to the dial side shows complications. The perpetual calendar components aren’t visible through the sapphire caseback, as they are positioned on the cover of the movement. However, the dial provides a lot of information, using a smart and legible screen. The month and day are indicated in 2 windows at 12 o’clock. The date and the moon-phase indicator are displayed in a third sub-dial in 6 o’clock. What’s new compared to the previous benchmark (Ref. 5970) is how it indicates the leap year and the day/night function. Perhaps not the most sensible and legible design, since it was simple to get confused between different hands. The dial gains enhanced legibility and aesthetic innocence from that aesthetic choice.

Venerable Geneva watchmaker Patek Philippe was one of the first pioneering watchmakers to set up a website, way back in what feels like a time when dinosaurs roamed, but was actually 1997. Widely regarded as the most prestigious brand while being the third or fourth largest Swiss watchmaker by revenue, Patek Philippe has since taken a more laid-back approach to its digital strategy.

Now 20 years old, gets its first revamp since 2012. The new website is fully feature, easy to navigate, and most crucially, indicates official retail prices.

Even the web developers.

The new opens with a lively video while offering the same general structure and ease of navigation, especially when exploring the Patek Philippe line-up. The majority of the collection is detailed online, except for limited and special editions watches.

And like many other prominent watchmakers, prices are shown online, albeit only in Swiss francs including taxes. A handful of “Grand Complication” watches, however, have prices “on request”.

The new site puts Patek Philippe on par with its peers, which have mostly jumped on the internet bandwagon with steely and well-funded determination. Even Rolex, the most conservative of watchmakers, got on Instagram in late 2016 and garnered 5.8m followers since. And IWC and Cartier, along with several of their sister brands in Richemont, also sell selected watches online.

Visit the new Patek Philippe on


How To Buy Patek Philippe Declares No More Sealed Watches Replica Clearance

Set against the mostly black dial, they’re legible without being too disruptive or blocky on account of their open-worked nature. Overall, it’s an aesthetically pleasing and thoughtfully performed dial. It is not like other Patek Philippe Watches Automatic Replica watches and I suspect that reason will help justify why some people will like it and some individuals won’t. Turning the Patek Philippe Calatrava Ref. 6006G around, you will see the 240 PS C movement. The automatic movement is equally as appealing and immaculately done as you’d expect a typical Patek Philippe to be. 6006G is going to be the sole watch using this motion, at least for now. Made of 191 components and operating at 21,600 vph (3Hz), the 240 PS C has a minimum 38 hour power reserve and maximum 48 hour power reserve.The part of this motion obviously intended to catch the eye is the 22k gold rotor with the Patek Philippe Calatrava cross engraving.As I mentioned, the circumstance is 39mm wide and a slim 8.84mm thick and with 22mm wide lugs, it has a good, large wrist existence. The instance is completed in 18k white gold, which has always been among my least preferred materials. When I desire gold, I favor yellow or rose gold. Otherwise, it is Platinum when contemplating pieces which seem more subdued but are obvious to anybody with a marginally trained eye to spot like being that pinnacle precious metal. White gold just leaves me uninspired, but that’s a personal taste. What I really do imagine here for the Calatrava Ref. 6006G comes on an alligator strap with an 18k clasp.It’s standard, though I have to say it seems a bit too formal considering the “whimsical” flow of this watch. Nonetheless, it matches the overall aesthetic of this watch and is not something that I spent too much time considering for great or bad.A fun, unusual offering from Patek Philippe, the newest Calatrava Ref.

Patek Philippe has made it mandatory for all retailers to sell its watches without the sealed factory packaging that has become a hallmark of the brand’s timepieces. In a letter sent two weeks ago to all retailers worldwide, the Geneva watchmaker asked retailers to “put an end to the sale of ‘sealed’ and ‘ doubled-sealed’ pieces”, with immediate effect.

The letter goes on to elaborate: “… ensure no Patek Philippe Watches Sydney Replica timepiece leaves your point of sale before it has been taken out of its brown cardboard box and had its plastic bag cut open. Indeed, these boxes were never meant to be given to your clients. Please hold on to them and destroy them.”

A million dollars inside a plastic bag – a “single-sealed” Patek Philippe Sky Moon Tourbillon ref. 5002P that was offered at Phillips’ Hong Kong watch auction last year

As when Rolex introduced its warranty card with a magnetic strip that has to be swiped to be activated, the purpose of Patek Philippe’s directive is to “prevent grey market activities”.

While Patek Philippe retailers and boutiques were supposed to sell watches without the packaging in the past, that was not strictly enforced. Consequently Patek Philippe watches frequently change hands on the secondary market having never left the sealed factory packaging, sometimes having stayed that way for years. One reason that happens for Patek Philippe watches specifically – many brands ship their watches in sealed boxes of some sort – is the fact that its timepieces are often, but also misguidedly, regarded as sound investments. Equally as often, the watches are seen as portable, liquid assets.

Patek Philippe appears serious on stamping out the practice of selling sealed watches, with the letter noting that it will “follow up regularly on this directive”. The letter ends with the line: “All pieces found in a cardboard box or plastic bag after July 1st, 2017 will be view as a fault.”